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VERSION:2.0
PRODID:-//Beatnickel//Events//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
BEGIN:VEVENT
UID:01a17035-43f8-7487-b011-08e107f8aabc@beatnickel.com
DTSTAMP:20261024T231816Z
DTSTART:20261204T183000Z
SUMMARY:Et barn er født - Julekoncert med Theatre of Voices
DTEND:20261204T194500Z
DESCRIPTION:Vores julekoncert i år er en slags musikalsk triptykon – et 
 billede i tre søjler. Tre forskellige musikformer bliver præsenteret\, h
 ver af dem tre gange: en carol eller julesang\, orgelmusik og en del af Th
 omas Tallis’ messe Puer Natus (Et barn er født). Denne messe\, som fors
 vandt efter Tallis' tid\, var ukendt indtil tre fragmenter blev opdaget om
 kring 1928 og i årene op til 1970 arbejdede musikforskere på at samle ma
 teriale nok til at alle tre satser nu kan opføres. Messen anses for at v
 ære et af Tallis' fineste værker. Orgelmusikken stammer fra det 17. og 1
 8. århundrede i Holland og Frankrig\, og nogle af dem bruger Puer Natus-m
 otivet fra messen. \nAlt dette bliver sat i relief af en snes europæiske 
 julesange. Igen er de delt op i tre: den første gruppe er baseret på eur
 opæiske julesange fra flere forskellige århundreder\; den midterste grup
 pe indeholder mere nutidig europæisk musik fra Georgien\, England og Estl
 and\, og åbningsstykket på programmet er bygget på en skøn gengivelse 
 af Speyer-katedralens klokkeklang.\n\n\n \n  \n  Ludwig Senfl (c.1486-1543
 )\n  \n  \n  The Bells\n  \n \n \n  \n  Jean-François Dandrieu (1682-1738
 )\n  \n  \n  Chantons\, je vous prie\n\n  \n \n \n  \n  Thomas Tallis (150
 5-1585)\n  \n  \n  Missa Puer Natus – Gloria\n\n  \n \n \n  \n  Jan-Piet
 erszoon Sweelinck (1562-1621)\n  \n  \n  Puer nobis nascitur\n\n  \n \n \n
   \n  traditional text\, melody J. V. Hines\, 1842\; arr.PH\n  \n  \n  Joy
 s Seven\n  \n \n \n  \n  from Ticino\; arr. PH\n  \n  \n  Dormi dormi o be
 l Bambin\n  \n \n \n  \n  Thoinot Arbeau (France)\, ca.1519\; arr. PH\n  \
 n  \n  Ding dong merrily on high\n  \n \n \n  \n  Friedrich Zachau (1663-1
 712)\n  \n  \n  In dulci jubilo\n\n  \n \n \n  \n  Michel Corrette (1709-1
 795)\n  \n  \n  Musette\n\n  \n \n \n  \n  Thomas Tallis\n  \n  \n  Missa 
 Puer Natus - Sanctus & Benedictus\n  \n \n \n  \n  \n  \n  \n  \n  \n \n \
 n  \n  Jean-François Dandrieu\n  \n  \n  Où s'en vont ces gais Bergers\n
   \n \n \n  \n  Jean-François Dandrieu\n  \n  \n  Chantons\, je vous prie
 \n\n  \n \n \n  \n  Nino Janjgava (b. 1964\, Tbilisi\, Georgia)\n  \n  \n 
  Gloria\n  \n \n \n  \n  Arvo Pärt (b. 1935\, Paide)\n  \n  \n  Most Holy
  Mother of God\n  \n \n \n  \n  Howard Skempton (b. 1947\, Chester\, UK)\n
   \n  \n  To Bethlem did they go\n  \n \n \n  \n  Benjamin Britten (1913-1
 976)\n  \n  \n  A Boy is Born\n\n  \n \n \n  \n  Jean-François Dandrieu\n
   \n  \n  Puer nobis nascitur\n\n  \n \n \n  \n  Thomas Tallis\n  \n  \n  
 Missa Puer Natus – Agnus\n\n  \n \n \n  \n  Jean-Jacques Beauvariet-Char
 pentier (1734-1794)\n  \n  \n  Noël en Musette\n  \n \n \n  \n  Michel Co
 rrette\n  \n  \n  Tambourin sur un Noël Provençal\n\n  \n \n \n  \n  tex
 t B.S. Ingemann\; tune Schlesisk\; arr. PH\n  \n  \n  Dejlig er jorden\n  
 \n \n \n  \n  Austrian\; arr. PH\n  \n  \n  Heissa Buama\n  \n \n \n  \n  
 German\; arr. PH\n  \n  \n  Es ist ein Ros entsprungen\n  \n \n \n  \n  En
 glish\; arr. PH\n  \n  \n  We wish you a merry Xmas\n  \n \n\n\n\n\nTHEATR
 E OF VOICES\nElse Torp — Kate Macoboy\nKristin Mulders — Laura Lamph\n
 Paul Bentley — Jakob Skjoldborg\nJakob Bloch Jespersen — William Gaunt
 \n\norgel – Miles Lallemant \ndirigent og kunstnerisk leder – Paul Hil
 lier\n\nOur Christmas concert this year is a kind of musical triptych. Thr
 ee different styles of music are presented\, each of them three times\, fe
 aturing in turn carols\, organ music\, and the Puer Natus Mass (A Boy Is B
 orn) of Thomas Tallis. This Mass had\ndisappeared after Tallis's time and 
 was unknown until fragments were discovered around 1928. During the years 
 1950-70 further work enabled three movements to be performed\, and it is n
 ow considered one of Tallis's finest works. The organ music draws on works
  from Holland and France during the 17th and 18th centuries\, some of them
  using the Puer Natus motif. And finally\, we present a dozen Christmas so
 ngs of various types\, styles\, and backgrounds. There are three sets of t
 hese\, the first and last based on European Christmas carols over several 
 centuries\; while the middle group features more recent music from Georgia
 \, England and Estonia. The opening piece of the program is built on a won
 derful effect in song of the klanging bells of Speyer Cathedral.
LOCATION:Trinitatis Kirke\, Landemærket 2
STATUS:CONFIRMED
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